In 2007, while headlines were dominated by Kanye West vs. 50 Cent and the industry fixated on
first-week sales, two artists on the West Coast were quietly crafting something timeless. Blu and
Exile weren’t chasing the spotlight — they were building their own gravitational pull.
On July 17, 2007, they released Below the Heavens — a debut that felt more like a sacred
document than a first statement. Soul-soaked, sample-driven production. Raw, unfiltered
vulnerability. No gloss. No gimmicks. Just truth pressed into wax.
Early believers recognized it immediately. Underground purists and tastemakers hailed it as an
instant classic. Limited to just 3,000 physical copies and leaked prematurely online, its scarcity
only strengthened its mythology. If you had it, you understood. If you didn’t, you were already
behind.
Blu’s everyman reflections — grappling with faith, doubt, love, frustration, and ambition —
resonated deeply over Exile’s warm, golden-era-inspired soundscapes. Static in the samples.
Dust in the drums. Pain and poetry in every bar. For the Okayplayer generation and beyond, it
became a defining statement of West Coast underground hip-hop.
The chemistry was organic. Introduced through Aloe Blacc of Emanon, Exile first witnessed Blu
command a Los Angeles stage — hungry, electric, undeniable. One session became “Party of
Two.” Then “Maintain.” Then a vision. A full-length statement. They knew it was special.
By 2009, Blu’s momentum earned him a place in the XXL Freshman Class alongside Wale, Kid
Cudi, B.o.B, and Charles Hamilton — proof that the underground could crown its own stars.
But they never stopped building.
The Albums That Followed
After Below the Heavens, Blu & Exile continued to evolve together across four full-length
releases, each expanding their sonic universe while preserving their unmistakable chemistry:
● Give Me My Flowers While I Can Still Smell Them (2012) — A triumphant return five
years later, balancing maturity and hunger, gratitude and grit.
● Miles (2020) — A sweeping, jazz-infused opus inspired by the spirit of Miles Davis,
blending live instrumentation with expansive storytelling.
● Love (the) Ominous World (2023) — A darker, textured meditation on love and
uncertainty, layered with lush, cinematic production.
Across these releases, the duo proved Below the Heavens wasn’t lightning in a bottle — it was
the foundation of a lasting movement.
Meanwhile, Blu expanded his catalog with one-producer masterpieces alongside Madlib,
Evidence, and Nottz, while collaborating with artists such as Anderson .Paak, Talib Kweli, Your
Old Droog, and Rome Streetz.
Exile solidified his reputation as a producer’s producer with the modern classic Boy Meets World
for Fashawn, experimental projects like Exile Radio, and production credits for Mobb Deep, 50
Cent. Big Sean, Wiz Khalifa, and Snoop Dogg.
Now, with nearly two decades of growth, experimentation, and refinement behind them, Blu &
Exile return not as hungry newcomers — but as master craftsmen of their own lane. Their latest
offering doesn’t feel like just another release; it feels like culmination.
For longtime listeners, it’s a reunion charged with nostalgia and elevation. For new fans, it’s an
invitation into a world where lyricism and soul still reign supreme.
The foundation is solid. The chemistry is proven. And history has shown: when Blu and Exile
connect, something timeless follows. Album Announcement on the way.